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Sean Shepherd, On a clear day - An einem klaren Tag
Sean Shepherd

Jan Vogler | Kent Nagano | Philharmonisches Staatsorchester Hamburg

Sean Shepherd, On a clear day - An einem klaren Tag

Price: € 19.95
Format: CD
Label: CAvi
UPC: 0028948680078
Catnr: AVI 4868007
Release date: 05 September 2025
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1 CD
€ 19.95
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Label
CAvi
UPC
0028948680078
Catalogue number
AVI 4868007
Release date
05 September 2025
Album
Artist(s)
Composer(s)
EN
DE

About the album

Kent Nagano and Jan Vogler, the American in Germany and the German in the United States, perpetually crossing the Atlantic and calling both continents home, embody and live this once so powerful transatlantic ideal in every respect. For they are bound by much more than a deep artistic friendship and their collaborative work. They share—even more comprehensively—a worldview and understanding of life based on the Western, humanistic canon of values that Europeans once carried across the Atlantic to their new world...…

"It was precisely this transatlantic idea that drove me when Jan and I developed this project a few years ago," says Kent Nagano. "Hamburg was the link to the New World not just for the people of Hamburg, but for millions of Europeans." This was to be reflected in a musical work capable of carrying this idea into the future. For good reason: for years, the continents have seemingly been drifting apart.

The world-renowned conductor does not hide his concern about this development. "It was also important to me to anchor the transatlantic idea in the next generation through children's and youth choirs on both sides of the ocean, who could work together and spend time with each other."
The result is the oratorio "An einem klaren Tag – On a Clear Day" for cello, choir, and orchestra.

The participants in the project underscore the thematic concern: the Hamburg Philharmonic State Orchestra, texts by the well-known German poet Ulla Hahn set to music by the young American composer Sean Shepherd, who made a name for himself in the United States at a very early age, various youth choirs from Germany and New York, along with the German star cellist Jan Vogler and Nagano as the American conductor of the Hamburg State Opera, who grew up where America is farthest from Europe—in a fishing village on the American West Coast between San Francisco and Los Angeles
...... (Excerpts from booklet notes by Inge Kloepfer)
ON A CLEAR DAY

JAN Vogler Cello
Young Person's Choral Academy
The Young ClassX Ensemble
Soloists of the Kreuzchor Dresden
Alsterspatzen - Children and Youth Choir of the Hamburg State Opera
Philharmonisches Staatsorchester Hamburg
Ulla Hahn Gedichte
KENT NAGANO

ON A CLEAR DAY . An einem Klaren Tag
Kent Nagano und Jan Vogler, der Amerikaner in Deutschland und der Deutsche in den Vereinigten Staaten, die beide immerzu den Atlantik überqueren und beide Kontinente ihre Heimat nennen, repräsentieren und leben in jeder Hinsicht diese einst so starke transatlantische Idee. Denn beide verbindet viel mehr als nur eine tiefe künstlerische Freundschaft und damit die gemeinsamen Arbeit. Sie verbindet – viel umfassender noch – eine Weltanschauung und ein Lebensverständnis auf Basis des abendländischen, humanistischen Wertekanons, den die Europäer einst in ihre neue Welt über den Atlantik mitnahmen. .…„

Es war genau diese transatlantische Idee, die mich umtrieb, als Jan und ich vor einigen Jahren dieses Projekt entwickelten“, sagt Kent Nagano. „Hamburg war nicht nur für die Hamburger, sondern für Millionen von Europäern der Link in die Neue Welt.“ Das sollte in einem musikalischen Werk seinen Niederschlag finden, welches in der Lage sein würde, diesen Gedanken in die Zukunft tragen. Aus guten Grund: Seit Jahren driften die Kontinente augenscheinlich auseinander.

Der weltberühmte Dirigent macht keinen Hehl aus seiner Sorge über diese Entwicklung. „Es ging mir auch darum, die transatlantische Idee in der nächsten Generation zu verankern über die Kinder- und Jugendchöre diesseits und jenseits des Ozeans, die gemeinsam arbeiten und darüber hinaus auch Zeit miteinander verbringen konnten.“

Entstanden ist das Oratorium An einem klaren Tag – On a Clear Day für Cello, Chor und Orchester. Die Beteiligten des Projekts unterstreichen das inhaltliche Anliegen: das Philharmonische Staatsorchester aus Hamburg, Texte der bekannten deutschen Dichterin Ulla Hahn, vertont von dem jungen amerikanischen Komponisten Sean Shepherd, der in den Vereinigten Staaten schon sehr früh auf sich aufmerksam machte, verschiedene Jugendchöre aus Deutschland und aus New York, dazu der deutsche Star-Cellist Jan Vogler und Nagano als amerikanischer Dirigent der Hamburgischen Staatsoper, der dort aufwuchs, wo Amerika Europa am entferntesten ist – in einem Fischerdorf an der amerikanischen Westküste zwischen San Francisco und Los Angeles. ...... (Auszüge aus dem Booklettext von Inge Kloepfer)

Artist(s)

Jan Vogler (cello)

Jan Vogler’s distinguished career has brought him together with renowned conductors and internationally acclaimed orchestras around the world, such as London Philharmonic Orchestra, New York Philharmonic, Deutsches Symphonie-Orchester Berlin and Leipzig Gewandhaus Orchestra. His great ability allowed him to explore the sound boundaries of the cello and to establish an intensive dialogue with contemporary composers and artists. This includes regular world premieres, including works by Tigran Mansurian (with WDR Symphony Orchestra conducted by Semyon Bychkov), John Harbison (with Mira Wang and the Boston Symphony Orchestra), Udo Zimmermann (Bavarian Radio Symphony Orchestra), Wolfgang Rihm (Double Concerto with Mira Wang), Jörg Widman (Cello Concerto Dunkle Saiten, dedicated to Jan Vogler himself), Nico Muhly, Sven Helbig and Zhou-Long (Drei Kontinente – Konzert für Cello und Orchester, composed for Jan Vogler) and Sean...
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Jan Vogler’s distinguished career has brought him together with renowned conductors and internationally acclaimed orchestras around the world, such as London Philharmonic Orchestra, New York Philharmonic, Deutsches Symphonie-Orchester Berlin and Leipzig Gewandhaus Orchestra. His great ability allowed him to explore the sound boundaries of the cello and to establish an intensive dialogue with contemporary composers and artists. This includes regular world premieres, including works by Tigran Mansurian (with WDR Symphony Orchestra conducted by Semyon Bychkov), John Harbison (with Mira Wang and the Boston Symphony Orchestra), Udo Zimmermann (Bavarian Radio Symphony Orchestra), Wolfgang Rihm (Double Concerto with Mira Wang), Jörg Widman (Cello Concerto Dunkle Saiten, dedicated to Jan Vogler himself), Nico Muhly, Sven Helbig and Zhou-Long (Drei Kontinente – Konzert für Cello und Orchester, composed for Jan Vogler) and Sean Shepherd (On a Clear Day based on a cycle of poems by Ulla Hahn, for cello, choirs and orchestra, which was premiered in 2023 with the Philharmonic State Orchestra conducted by Kent Nagano).
The New York Times praises his “soulful, richly hued playing” and the Frankfurter Allgemeine Zeitung grants him the ability “to make his cello speak like a singing voice”.
In addition to his classical concert activities as a soloist, Jan Vogler is constantly looking for new ways to combine music with other arts. In February 2024, he gave a highly acclaimed concert with inaugural-poet Amanda Gorman, performing Gorman‘s contemporary poems with cello suites by J.
S. Bach in the Isaac Stern Auditorium in Carnegie Hall. The duo appeared on the popular ‚Late Night Show with Stephen Colbert‘ in March 2024. Jan Vogler has also collaborated with actor Bill Murray for their joint musical-literary project “Bill Murray, Jan Vogler & Friends – New Worlds”. The innovative programme drew international attention and brought together works by Twain, Hemingway, Whitman, Cooper, Bernstein, Bach, Piazzolla, Mancini, Gershwin and Foster for an unexpected and exciting exploration of the relationship between literature and music.
Highlights of Jan Vogler’s career as a soloist are concerts with the New York Philharmonic – both in New York and Dresden at the occasion of the reopening of the rebuilt Dresdner Frauenkirche under the direction of Lorin Maazel in 2005 –, Chicago, Boston, Pittsburgh and Montréal Symphony Orchestras, Sächsische Staatskapelle Dresden, City of Birmingham Symphony Orchestra, Orchestra dell’ Accademia di Santa Cecilia, Vienna Symphony Orchestra, Munich Philharmonic as well as with The Knights. He collaborates with conductors such as Andris Nelsons, Fabio Luisi, Sir Antonio Pappano, Valery Gergiev, Thomas Hengelbrock, Manfred Honeck and Kent Nagano.
Jan Vogler has been Intendant of the renowned Dresdner Musikfestspiele since October 2008 as well as Artistic Director of the Moritzburg Festival since 2001. In 2017 the Moritzburg Festival celebrated its 25th anniversary as one of the most established chamber music festivals internationally.
In 2006, he received the European Award for Culture and in 2011 the Erich-Kästner Award for tolerance, humanity and international understanding. In June 2018 he received the European Award for Culture TAURUS as Director of the Dresdner Musikfestspiele. 2021 Jan Vogler was awarded the Order of Merit of the Federal Republic of Germany.
Jan Vogler plays the Stradivari ‘Ex Castelbarco/Fau’ 1707 cello. Jan Vogler in Téchin NY Techin.com
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Kent Nagano (conductor)

Kent Nagano is considered one of today’s outstanding conductors for both operatic and orchestral repertoire. From September 2015 until August 2025, he was General Music Director of the Hamburg State Opera and Chief Conductor of the Philharmonic State Orchestra Hamburg. From September 2026, Kent Nagano will be Chief Conductor and Artistic Director of the Orquesta y Coro Nacionales de España in Madrid and will take on the role of Principal Artistic Partner of the Filarmonica Toscanini from the 2025/2026 season. In addition, he is committed as Artistic Director of the Ring project “The Wagner Cycles” of Dresdner Musikfestspiele with Dresdner Festspielorchester and Concerto Köln, and as patron of the Herrenchiemsee Festival. He has been Honorary Conductor of the Deutsches Symphonie-Orchester Berlin since 2006, Concerto Köln since 2019, the...
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Kent Nagano is considered one of today’s outstanding conductors for both operatic and orchestral repertoire. From September 2015 until August 2025, he was General Music Director of the Hamburg State Opera and Chief Conductor of the Philharmonic State Orchestra Hamburg. From September 2026, Kent Nagano will be Chief Conductor and Artistic Director of the Orquesta y Coro Nacionales de España in Madrid and will take on the role of Principal Artistic Partner of the Filarmonica Toscanini from the 2025/2026 season. In addition, he is committed as Artistic Director of the Ring project “The Wagner Cycles” of Dresdner Musikfestspiele with Dresdner Festspielorchester and Concerto Köln, and as patron of the Herrenchiemsee Festival. He has been Honorary Conductor of the Deutsches Symphonie-Orchester Berlin since 2006, Concerto Köln since 2019, the Orchestre symphonique de Montréal since 2021 and the Philharmonisches Staatsorchester Hamburg since 2023.
As a much sought-after guest conductor, Kent Nagano regularly works with leading international orchestras worldwide, including the Deutsches Symphonie-Orchester Berlin, the Munich Philharmonic Orchestra, the Orchestre Philharmonique Radio France, the Tonhalle Orchestra Zurich, the Orchestre de la Suisse Romande, the Philharmonia Orchestra, the Chicago and Detroit Symphony Orchestras, the Radio Filharmonisch Orkest and the Wiener Symphoniker.
Nagano was awarded Grammys for his recordings of Busoni’s Doktor Faust with Opéra National de Lyon, Prokofjew’s Peter and the Wolf with the Russian National Orchestra and Saariaho’s L’amour de Loin with the Deutsches Symphonieorchester Berlin. He has worked with labels such as BIS, Decca, Sony Classical, FARAO Classics and Analekta for many years, and has also recorded CDs with Berlin Classics, Erato, Teldec, Pentatone, Deutsche Grammophon and Harmonia Mundi.
In September 2021, Kent Nagano published his second book with Berlin Verlag. In “10 Lessons of my Life”, he recalls ten deeply personal encounters from which he learned important lessons, not only for his career but for his life more broadly. Among those experiences are encounters with the Icelandic pop artist Björk, Frank Zappa, Leonard Bernstein, Pierre Boulez and the Nobel Prize winner in physics Donald Glaser.
Kent Nagano was awarded an honorary doctorate from McGill University in Montréal in 2005, an honorary doctorate from the Université de Montréal in 2006, and an honorary doctorate from San Francisco State University in 2018. Since 2017, Kent Nagano has been a „Compagnon“ of the “Ordre des arts et des lettres” of Québec and in the fall of 2023, Kent Nagano was also awarded the title of “Chevalier” in the “Ordre des art et des lettres” of France.
In February 2024, Kent Nagano was awarded the Order of Merit of the Federal Republic of Germany by the Federal President and in June 2024 he was awarded the Order of Canada, Canada‘s highest civilian honor. Kent Nagano is the recipient of the 2024 Brahms Prize of the Brahms Society of Schleswig-Holstein.

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Mira Wang (violin)

Composer(s)

Sean Shepherd

Sean Shepherd has earned wide acclaim for his “fantastic gift for orchestral color” (New York Times), and commissions from major ensembles and performers across the US and Europe. His music has been commissioned and performed by the BBC, Chicago, Minnesota, Montréal, National, New World and Pittsburgh symphony orchestras, radio orchestras in Austria, France, and Germany, and by leading European ensembles including Ensemble Intercontemporain, the Scharoun Ensemble Berlin, the Asko| Schönberg Ensemble, and the Birmingham Contemporary Music Group. Conductors who champion Shepherd’s work include Christoph Eschenbach, James Gaffigan, Alan Gilbert, Cristian Macelaru, Susanna Mälkki, Donald Runnicles, and Franz Welser-Möst. His works have been performed at festivals in Aldeburgh, Heidelberg, La Jolla, Lucerne, Santa Fe, Aspen, the Grand Tetons, and Tanglewood. In April 2025, the Dallas Symphony Orchestra premiered Shepherd’s Quadruple...
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Sean Shepherd has earned wide acclaim for his “fantastic gift for orchestral color” (New York Times), and commissions from major ensembles and performers across the US and Europe. His music has been commissioned and performed by the BBC, Chicago, Minnesota, Montréal, National, New World and Pittsburgh symphony orchestras, radio orchestras in Austria, France, and Germany, and by leading European ensembles including Ensemble Intercontemporain, the Scharoun Ensemble Berlin, the Asko| Schönberg Ensemble, and the Birmingham Contemporary Music Group. Conductors who champion Shepherd’s work include Christoph Eschenbach, James Gaffigan, Alan Gilbert, Cristian Macelaru, Susanna Mälkki, Donald Runnicles, and Franz Welser-Möst. His works have been performed at festivals in Aldeburgh, Heidelberg, La Jolla, Lucerne, Santa Fe, Aspen, the Grand Tetons, and Tanglewood.
In April 2025, the Dallas Symphony Orchestra premiered Shepherd’s Quadruple Concerto for its principal winds, led by Fabio Luisi, and described by the Wall Street Journal as “uncompromising, yet also somehow inviting. Even when his scores overwhelm, they don‘t alienate.” Summer 2025 brings the world premiere of Latticework, a large-scale virtuoso duo for violinist Leila Josefowicz and cellist Paul Watkins, with performances in Michigan, Santa Fe, Portland and New York.
Shepherd’s orchestral work Express Abstractionism, co-commissioned and performed by the Boston Symphony and Leipzig Gewandhaus Orchestras, led by Andris Nelsons, can be heard on a 2019 Naxos release of Boston Symphony commissions. Other recent highlights include Sprout, a climate- change themed orchestral work that debuted at the Cabrillo Festival of Contemporary Music; Downtime, premiered in 2021 by the WDR Sinfonieorchester Köln and Cristian Macelaru; String Quartet No. 3, premiered in 2022 and toured in the US and abroad by the Pacifica Quartet; Tiny Bright Big True Real for oboe, bassoon, and piano; Old Instruments for flutist Joshua Smith and percussionist Jacob Nissly at the Fe Chamber Music Festival; saxophone quintet Sonata à 5 for fo the Music Academy of the West; Familiar for cellist Anssi Kartunnen and Echo for oboist Nicholas Daniel, each at the Aldeburgh Festival; wideOPENwide for violinist Jennifer Koh; and Concerto for Ensemble, which premiered at the Philharmonie de Paris, with Matthias Pintscher and the Ensemble Intercontemporain.
Shepherd is the 2024 recipient of the $200,000 Charles Ives Living Award from the American Academy of Arts and Letters. After serving as the Daniel R. Lewis Composer Fellow at the Cleveland Orchestra and composer-in-residence of Reno Philharmonic, his hometown orchestra, Shepherd was named the New York Philharmonic’s inaugural Kravis Emerging Composer in 2012. After composing Magiya for the National Youth Orchestra of the United States of America’s inaugural season and tour, he developed the NYO-USA’s Composer Apprentice program with Carnegie Hall’s Weill Music Institute, which he continues to direct. He lives in New York with his husband and two children, and his music is published by Boosey and Hawkes.
June 2025, reprinted by kind permission of Boosey & Hawkes
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Press

Play album Play album
01.
on a clear day (oratorio (2022/23) : Part I, I. *roman number serves as the title
02:58
(Sean Shepherd) Jan Vogler, Philharmonisches Staatsorchester Hamburg, Various Choirs
02.
on a clear day (oratorio (2022/23): Part I,II. Lied der Amsel
01:37
(Sean Shepherd) Jan Vogler, Philharmonisches Staatsorchester Hamburg, Various Choirs
03.
on a clear day (oratorio (2022/23): Part I, III. Anticipation / Forboding
03:37
(Sean Shepherd) Jan Vogler, Philharmonisches Staatsorchester Hamburg, Various Choirs
04.
on a clear day (oratorio (2022/23): Part I, IV. Morgenlob
02:48
(Sean Shepherd) Jan Vogler, Philharmonisches Staatsorchester Hamburg, Various Choirs
05.
on a clear day (oratorio (2022/23): Part I, V. Meccanico
02:44
(Sean Shepherd) Jan Vogler, Philharmonisches Staatsorchester Hamburg, Various Choirs
06.
on a clear day (oratorio (2022/23): Part II, VI. Somber (Solo Cello, Cello and Orchestra)
05:55
(Sean Shepherd) Jan Vogler, Philharmonisches Staatsorchester Hamburg, Various Choirs
07.
on a clear day (oratorio (2022/23): Part II, VII. * (as before)
03:31
(Sean Shepherd) Jan Vogler, Philharmonisches Staatsorchester Hamburg, Various Choirs
08.
on a clear day (oratorio (2022/23): Part II, VIII. Cheeky
02:01
(Sean Shepherd) Jan Vogler, Philharmonisches Staatsorchester Hamburg, Various Choirs
09.
on a clear day (oratorio (2022/23): Part II, IX. Die Erde Rief
09:05
(Sean Shepherd) Jan Vogler, Philharmonisches Staatsorchester Hamburg, Various Choirs
10.
on a clear day (oratorio (2022/23): Part II, X. Very slow; dreamy
02:57
(Sean Shepherd) Jan Vogler, Philharmonisches Staatsorchester Hamburg, Various Choirs
11.
on a clear day (oratorio (2022/23): Part II, XI. Lilting at first, gathering intensity
07:45
(Sean Shepherd) Jan Vogler, Philharmonisches Staatsorchester Hamburg, Various Choirs
12.
on a clear day (oratorio (2022/23): Part II, XII. Spacious
05:28
(Sean Shepherd) Jan Vogler, Philharmonisches Staatsorchester Hamburg, Various Choirs
13.
PIANO TRIO Auf dem Meer (2024): I. Im Hafen
01:48
(Sean Shepherd) Jan Vogler, Mira Wang, Matthias Kirschnereit
14.
PIANO TRIO Auf dem Meer (2024): II. Seereise
04:01
(Sean Shepherd) Jan Vogler, Mira Wang, Matthias Kirschnereit
15.
PIANO TRIO Auf dem Meer (2024): III. Zuhause angekommen
04:07
(Sean Shepherd) Jan Vogler, Mira Wang, Matthias Kirschnereit
show all tracks

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